1991 After spending a year adapting Dostoevsky’s epic novel, THE POSSESSED, with my collaborator Robert Lyons, I began rehearsal with a 14 person cast. About a week into rehearsal when we began the process of taking exploratory work and translating it into staging, I began to instinctually feel the space for the first time as a director. In the past, I had intellectually analyzed the space and made my choices. It was liberating and thrilling to instinctually feel what the strongest choice spatially was.


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